Another View on Tango Musicality By Clarisa Aragón and Jonathan Saavedra

Another View on Tango Musicality By Clarisa Aragón and Jonathan Saavedra – Digital Download!

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Another View on Tango Musicality By Clarisa Aragón and Jonathan Saavedra

Clarisa Aragón and Jonathan Saavedra are music enthusiasts.

Watching them dance evokes a sensation where tango music seems to materialize and take the lead.

The two dancers unite to become a single entity, with music serving as the second component of the tango pair.

Clarisa and Jonathan appreciate the pauses in music, only to later, with a surprising intensity, practically consume them.

Subsequently, they would transition to the opposite extreme.

They would use the sweetest energy to delicately touch only a few notes, whether through a quick or gradual transition.

Why is this?

This collection continues the learning journey initiated in Clarisa Aragón and Jonathan Saavedra’s earlier collection on tango musicality titled “Music Runs through our Tango’s Veins.”

Submit yourself to the song and through persistent meticulousness, your meaningful musical interpretation will emerge.

Dancing tango can be seen as both selfish and unselfish when you and your partner blend together and synchronize with the music.

You experience a moment of complete absorption where nothing else seems to exist.

8 LESSONS

• 01: Music Interpretation. Textures in the Music

Welcome to the second level of musicality, where the emphasis is on interpretation rather than just establishing the technical foundation from the prior collection on musicality.

Engaging in musical interpretation offers the opportunity to explore and express your individuality via dance.

In this class, Clarisa Aragón and Jonathan Saavedra will expose you to the interpretation tools they use in their dancing, helping you explore new aspects of musicality and enhance your interpretation skills.

• 02: Music Defining the Movement

This class will focus on discovering effective leg movements to highlight key phases.

Our attention is not on vigorously beating the floor, as this can potentially hurt our joints.

We will focus on training to enhance the impact of our leg motions and to regulate how our legs interact with the floor.

Clarisa Aragón and Jonathan Saavedra will use visual metaphors to improve our learning experience and help us achieve the needed outcomes efficiently.

• 03: Musicality: Technique vs. Feelings

It is commonly believed that we need to adjust our dancing style to different tango orchestras, resulting in the creation of unique step sequences for each orchestra.

This technique is inadequate.

The key is to acknowledge that various orchestras imbue their tango music with distinct characteristics and identities.

As dancers, we should concentrate on adapting our mood and infusing our movements with the emotion we experience in that moment.

Clarisa Aragón and Jonathan Saavedra will help you communicate the emotions conveyed by a specific symphony through your dance movements in this lesson.

• 04: Musicality: Orchestras Differentiation

This lesson will allow you to utilize the abilities you learned in the previous session by performing the same sequence to various orchestral music.

The idea is to use the same dance tools but include different energy and aspects of movement.

The process starts with the practice of questioning things…

• 05: Choosing the Part of the Music You’ll Put in the Spotlight

Let’s now focus on selecting music.

Choosing the appropriate moments to emphasize is an essential ability in dance innovation.

As we delve further into studying music, playing with leading on various rhythms, and mastering the intricacies of tango music, we may develop a desire to dance to every beat and intricacy.

Yet, by doing this, we may weaken the potency of our dance and diminish its meaningful message.

This tutorial will teach you how to avoid it…

• 06: Music Interpretation. Choosing the Quality and Color of the Way We Dance 1

Clarisa Aragón and Jonathan Saavedra find this topic particularly engaging, and they view it as an ongoing journey of learning and creation.

We can interpret tango music in several ways during our dance.

Our dance experience is deeply personal and influenced by our mood, our partner’s reactions to our musical choices, and various other things.

This class will provide you with exceptional tools to enhance your creativity in translating music into the tango language.

• 07: Music Interpretation. Choosing the Quality and Color of the Way We Dance 2

Let’s wrap off the discussion on musical interpretation by delving into further concepts and activities.

Dancers are frequently likened to an extra musical instrument in an orchestra.

We do not play musical instruments such as the violin, bandoneon, or piano.

Instead, we use our bodies to contribute visually to the orchestra.

We have the exceptional skill to enhance a music through our dance.

As fellow musicians in this symphony, it is crucial that we harmonize with the collective.

• 08: Dissociating Musical Interpretation. Dancing on Different Bits Inside the Couple

Clarisa Aragón and Jonathan Saavedra have organized an enjoyable challenge!

Each person will move to a distinct rhythm, but it won’t necessarily disrupt the communication between the partnership.

Tango is primarily a kind of non-verbal communication, and interfering with it would reduce its fundamental nature.

The well-known phrase states that cooperation is necessary for a successful outcome.

To have the leader and the following step on different beats, we shall utilize the concept of dissociating the lead.

This class will cover all aspects of it.

Alternative Perspective on Tango Musicality

Clarisa Aragón and Jonathan Saavedra are music enthusiasts.

Observing their dance evokes the sensation of tango music materializing and leading the way.

The two dancers unite as one, with music serving as the second element in the tango duo.

Clarisa and Jonathan appreciate the pauses in music, only to later, with a surprising intensity, practically consume them.

Subsequently, they would transition to the opposite extreme.

They would use the sweetest energy to delicately touch only a few notes, whether the transition was abrupt or gradual.

Enroll today to begin your journey of exploration and improvement in “ Another View on Tango Musicality By Clarisa Aragón and Jonathan Saavedra ”

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