Feature Film Assistant Editor Immersion 1.0 By Master The Workflow

Feature Film Assistant Editor Immersion 1.0 By Master The Workflow – Digital Download!

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Immerse yourself in the role of a feature film assistant editor.

Acquire knowledge about the efficient workflow used in professional feature film and television editing.

Begin your career in feature films and television productions for the major Hollywood studios, networks, and streaming services.

The course

The Immersion Program for Assistant Film Editors

Our curriculum is designed to be applicable to films and television productions of all price ranges.

It provides a comprehensive and detailed instruction on the professional editing workflow, covering every step from the beginning to the end.

Additionally, it focuses on the assistant editor’s responsibilities in overseeing the cutting room throughout the whole production process, from pre-production to final delivery.

Our online classes, which are presented in video format, may be done at your own speed.

These lessons are designed based on our extensive expertise in producing feature films and television shows for prominent studios, networks, and streaming services.

There are three compelling reasons why you should begin this course now.

SVOD (Subscription Video on Demand) income in the United States from 2011 to 2020.

01.GLOBAL

DISTRIBUTION

By 2024 ALL streaming services will be available worldwide.

02.REVENUE

In 2020 streaming services won 2.1 billion dollars, 37% more than the previous year.

03.QUANTITY

The competition is intense! Warner Media, Disney, Apple, and other companies have recently introduced new streaming platforms.

The level of film and TV production is now at its highest point ever.

What is the evidence?

Testimonials from Our Students

Mark B. resides in Los Angeles, California.

These tools are quite helpful.

“This program has been extremely enlightening.”

It instilled in me the self-assurance to effectively manage the assignments I have undertaken!

I want that this class and its instructors were the ones I had throughout my time in school.

This program has been important in facilitating my achievement!

Irene C. resides in Los Angeles, California.

MTW provided assistance when I was at a loss for other courses of action.

“The program proved to be highly beneficial whenever I had an inquiry or required any assistance.”

It is reassuring to have this resource available in case I use it in the future.

I am pleased to learn that I can consistently rely on Master The Workflow.

What You’ll Learn Inside

01 – Module

Pre-Production

-Terms, concepts and paperwork

-Initial meeting with your editor

-The pre-production and post pipeline meetings

02 – Module

Setting Up

-Setting up the cutting room

-Peripheral software needs

-Setting up the project

-Avid project layout and bin organization

-Avid ISIS organization

and workspaces

03 – Module

Digital Codebook

-Globals, continuity, wall cards & shoot progress reports

-The Core Codebook – Walkthrough

-The Core Codebook – Continued

-Lists & Logs – 1

-Lists & Logs – 2

-Reports

-VFX Database

-Petty Cash Tracker

04 – Module

Principal Photography

-Lab Dailies

-Syncing Dailies Manually

-Dailies – Continued

-Using ScriptSync

-Dailies Paperwork

05 – Module

Editorial

-Music & Sound FX Organization

-Visual Effects Prep & Tracking

-Editorial – Part 3

-Spotting Sessions

-Previews & Test

Screening

-Editing Room Diplomacy

06 – Module

Finishing

-Visual Effects

-Picture Turnovers

-Change Lists &

Re-balancing

-Sound Turnovers

-DI Stage, Mix Stage,

Deliverables & Wrap-up

INTRODUCE YOUR EDUCATORS

Lawrence Jordan, ACE

Lawrence Jordan is a highly acclaimed feature film and television editor, recognized with Emmy and ACE Eddie nominations.

He has an extensive portfolio of over 50 feature films and television series that he has worked on.

Additionally, he is the co-creator of Master The Workflow.

Being an early user of digital, non-linear editing, he played a crucial role in establishing the foundation for the contemporary editorial process.

He just finished shooting the indie feature film Later Days.

Richard Sanchez

Richard Sanchez has dual roles as a visual effects editor and an assistant editor.

He has provided assistance on the movie Suicide Squad, Robin Hood, and Naked, as well as on the television programs Table 19, The Good Place, and UFO Hunters.

Recently, he served as the visual effects editor for Hulu’s Catch-22 and Bill & Ted Face The Music.

He is now engaged in the development of a fresh series for Marvel Studios.

The Feature Film Assistant Editor Immersion course offers exclusive benefits that are not available elsewhere.

The digital codebook

The Digital Codebook is an extensive collection of specially crafted and interconnected FileMaker Pro databases.

Richard used this tool in his most recent cinematic projects, including Catch-22 for Hulu, Bill & Ted Face The Music, and his ongoing series Sweet Tooth for Netflix.

The Digital Codebook, which took over two years to develop, meticulously records and organizes many elements of the editing process, including image, sound, visual effects, script notes, and continuities.

Additionally, it has a segment dedicated to monitoring petty cash.

Enroll today to begin your journey of exploration and improvement in “ Feature Film Assistant Editor Immersion 1.0 By Master The Workflow ”

Commonly Questions:

1. Revolutionary Business Plan:

Accept that our business is what it really is! Our plan is to set up a group buy, in which the costs are split among the partners.

We buy highly sought-after classes from sales pages with this money and give entry to people who are having trouble paying for it.

Any doubts the writers may have had aside, our clients like how cheap and easy to use our services are.

2. What are the pros and cons of the legal environment?

It’s not clear whether what we’re doing is legal or not.

We do not have official permission from the course authors to resell, but this is just a matter of detail.

When we bought the course, the author didn’t say if there were any restrictions on reselling it.

This complicated legal situation is good for us and good for people who want to get great knowledge at an affordable price.

3. Quality Assurance: Getting to the main of the course that you want:

Looking into what the problem is really about: Core quality.

If you buy the course from the sales website, you can be sure that all the materials and papers you get are the same as those you would get the old-fashioned way.

But what makes us different is that we can do more than just individual study; we also resale. It’s important to note that we are not the official course providers.

This means that some special services are not included in our package:

• You can’t schedule a teaching call or a meeting with the author. (or 1-1 teaching from the coaches or author)
• We couldn’t get into the author’s private Facebook group or online site for you.
• You are not allowed to access the author’s private club site.
• There was no direct email help from the author or their teams.
• Our operations are run independently, with the objective of reducing the disparity in expenses.

We can’t offer the extra services that are offered through official course outlets from official authors. We really appreciate that you understand our unique approach.

In the result, any Knowledge is crucial for the future. Thus, we actively participate in enhancing your approachability with the reasonable price.